A New At-Home Showroom Concept in the West Village, Featuring the Next Wave of Design

A New At-Home Showroom Concept in the West Village, Featuring the Next Wave of Design


French-born, NYC-primarily based architect Olivier Garcé emailed us not too long ago to enable us know about his “pandemic lockdown project,” an apartment-as-gallery collaboration with household furniture designer Ian Felton. “Amid the uncertainty that came with the pandemic, we preferred to assemble will work by a team of buddies, gallerists, and fellow creatives,” according to Garcé, the former director of French architect Pierre Yovanovitch’s NY place of work.

The site? Garcé’s very own light-flooded 3rd-flooring condominium in a West Village prewar brownstone, which he shares with his spouse, Clio Dimofski, director of interior design at Pierre Yovanovitch (and their new toddler, Zoë). “We ordinarily glance to artwork fairs, gallery openings, studio visits, and the town itself to information us,” Garce claims, “so we designed our possess ‘showroom.’” Garcé suggests he hopes to recreate identical installations in new areas remain tuned.

Sign up for us for a tour:

Images by Sean Davidson.

Over: Ian Felton’s glazed lava stone Sacha Coffee Table, perched on a hand-carved wood base, is flanked by his glazed lava stone Kosa Aspect Chair and a 1930s Lovö rocking chair by Swedish designer Axel Einar Hjorth. The artwork previously mentioned the hearth is by Japanese artist Tadashi Kawamata and the plaster lamp on the mantle is by Minjae Kim, a Korean artist doing work in NYC.
In a corner of the living room, a Green River Project Half Moon Stool with raffia seat is positioned in front of a framed poster by Ronan Bouroullec. The table lamp with pleated shade is from Le Klint.
Higher than: In a corner of the residing area, a Green River Project Half Moon Stool with raffia seat is positioned in front of a framed poster by Ronan Bouroullec. The desk lamp with pleated shade is from Le Klint.
A selection of ceramic pieces bathed in sunlight.
Over: A variety of ceramic pieces bathed in daylight.
The green-painted Bamboo Screen with Custom Textile by Bode is from Green River Project, and the floor lamp is another piece by Minjae Kim. The s Park Bench is by Swedish designer Folke Bensow.
Previously mentioned: The environmentally friendly-painted Bamboo Screen with Tailor made Textile by Bode is from Inexperienced River Venture, and the floor lamp is an additional piece by Minjae Kim. The 1920s Park Bench is by Swedish designer Folke Bensow.
A fiberglass Fat Lola Chair by Minjae Kim is positioned in front of a early-th-century Phulkari wall hanging from Sharktooth in Brooklyn. The 50s ceramic and fiberglass floor lamp by Mitchell Bobrick is from R & Company.
Previously mentioned: A fiberglass Fat Lola Chair by Minjae Kim is positioned in entrance of a early-19th-century Phulkari wall hanging from Sharktooth in Brooklyn. The 1950s ceramic and fiberglass ground lamp by Mitchell Bobrick is from R & Corporation.
The pendant lamp is by midcentury Swedish designer Carl-Axel Acking. The Berlingot cushion is by Pierre Yovanovitch, and the white throw pillows are from Atelier Jouffre.
Over: The pendant lamp is by midcentury Swedish designer Carl-Axel Acking. The Berlingot cushion is by Pierre Yovanovitch, and the white toss pillows are from Atelier Jouffre.
 Above (L to R): Ian Felton, Sean Davidson, and Olivier Garcé.
Earlier mentioned (L to R): Ian Felton, Sean Davidson, and Olivier Garcé.

For additional of-the-moment interiors, see:

Sculptural Minimalism: A Winery Guesthouse by a French Architect in Portugal’s Douro Valley





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PAUL WALKER

PAUL WALKER

Lonely traveler, l like to explore with my camera and my laptop every part of the earth.
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